情感的力量剧情介绍：情感的力量是由Alexander Kluge执导,Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke等人主演的,于1983年上映,该纪录片讲述的是 The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
Alexander Kluge: The Power of Feeling
When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.(《情感的力量》纪录片于2024-11-14 10:31由6080电影网收集自网络发布。)
影片名称：情感的力量
影片别名：
上映时间：1983
国家/地区：其它
影片语言：德语
影片类型：
影片主演：Hannelore Hoger Alexandra Kluge Edgar M. Böhlke
资源类别：正片全集未删减
资源更新：HD中字
总播放次数：加载中...次
入库更新时间：2024-11-14 10:31
Alexander Kluge 导演执导的《情感的力量》，1983年上映至今获得了不错的口碑，由Hannelore Hoger Alexandra Kluge Edgar M. Böhlke 等主演的一部不错的德语纪录片。
情感的力量剧情：
情感的力量剧情介绍：情感的力量是由Alexander Kluge执导,Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke等人主演的,于1983年上映,该纪录片讲述的是 The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
Alexander Kluge: The Power of Feeling
When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.(《情感的力量》纪录片于2024-11-14 10:31由6080电影网收集自网络发布。)
6080电影网为您提供《情感的力量》免费在线观看地址、豆瓣评分、剧情介绍、海报图片、上映更新时间、影片播放量、以及《情感的力量》的观后评论等内容。
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1.请问哪个平台可以免费在线观看动作片《情感的力量》？
电影天堂网网友：《情感的力量》免vip在线观看地址 www.bohongchang.cn/cover/182376.html
2.《情感的力量》是什么时候上映/什么时候开播的？
3.《情感的力量》都有哪些演员？
爱奇艺网友：Hannelore Hoger Alexandra Kluge Edgar M. Böhlke
4.纪录片《情感的力量》有多少集？
电影吧网友：现在是HD中字
5.手机版免费在线点播《情感的力量》有哪些网站？
6.《情感的力量》评价怎么样？
Mtime时光网网友评价：我一直认为所谓的影片是绘声绘色的书 比小说更高 基于虚拟与幻想 回头一想却都是现实的虚幻影子
丢豆网网友评论：Alexander Kluge 导演的作品，有欢笑、有泪水、有喜悦、有悲伤...，虚拟世界中的感情是多彩的，并不同于我们现实中不爽就一直玩的感觉，虚拟感情的交错，当看完之后会觉得更加舒畅。
豆瓣电影网友：《情感的力量》不同于其他作品，没有紧迫感、虚浮的情节及杂乱的画面，却在不断教导我们，不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号，往往是融入进去，在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点，看视频时设身处地会发现这是现实中更近教导的教导！
